There are a few different methods of trimming the coat. I will go over them briefly, and you can choose whichever you prefer.

Bound Edge

The first is called the bound edge, and was often done in silk, or in wool. Since mine is a more upper class coat, I’ve chosen silk. Cut a piece of silk on the bias, 4 times the desired final width of the trim, plus 1⁄4 inch. This gives you room to get around the edge of the coat, which often has some bulk. In my case, I wanted trim at a final width of 3/8 of an inch, so I cut my silk at 1 3⁄4 inch wide.

Lay the trim right sides together on the outside of the coat. Do a combination of back and running stitch to save time, at the desired depth. Catch only the outside layer of the coat, as the trim will wear away after some time, and this will make replacement easier. A good reason not to use a sewing machine.

Then fold the trim under itself to the other side, and secure with a slip stitch. This gives a nice appearance, and is probably my favourite style of trim.

Piping

A piping finish must unfortunately be done as you are constructing a coat, so it is not an option for this present coat.

Begin by cutting some bias strips of light wool. These should be at a 45 degree angle to the selvage, allowing them to stretch easily. Each strip should be 1 1⁄4” wide and long enough for the area you are working on.

Cut out these strips, fold them in half, and press well, so that they retain their shape. The finished piping should be 5/8” in width.

Baste a strip of piping to the right side of your fabric, with the folded edge on the inside, and the raw edges all lined up.

Carefully stitch down the piping, using a half inch seam allowance. This will give you piping that is 1/8 inch wide when finished. This can be tricky to do, so go slowly, turning the wheel by hand if you like. If you make the piping too narrow, it will not be able to fold under, and will disappear from view. If it is too wide, it will look bulky and flap around on the finished coat. Definitely not elegant.

Press the piping to the wrong side, so that only the 1/8” of piping is showing on the outside. At this point, the canvas would be put in, and the raw edge of the piping sewn to it with a cross stitch.

Silk Cord

I’ve seen this on a couple of original coats, and the finish is subtle yet striking. From a distance, you can’t really see it, but up close, all of the detail comes out. Take a 1/16th inch silk cord, and simply lay it on the edge of your coat, securing it with invisible stitches as you go. Sorry, no photos due to lack of permission.

Where to put the trim

Trim can go along the front of the coat, the collar, the ends of the sleeves, and along the back vent. It is important for you to study originals, and photographs, so as to get a better idea of how to apply the trim. I will leave that as an exercise for you.

That’s it!

You have finally made it through to the end of this workshop! Hopefully you made it through with little error and confusion, but if not, please ask for some help at the support forum. I’d also love to see photos of your finished pieces!

Thank you,
James

---

Your Progress

Bar Tack the Pockets

It’s a good idea to put a little bar tack at the bottom of each interior pleat pocket opening, if you have them. This will keep stitches from tearing out over time.

Sorry, I didn’t take a photo of this for some reason. Please let me know if you need clarification.

Collar Tab

Original coats had a tab made of lining or mohair in order to hang the coat on a hook. This is a feature rarely reproduced, sadly.

Cut a piece of lining 4 inches long, and a piece of stay tape 3 inches long – the finished size of the tab. Baste the stay tape 1⁄4 inch away from one edge, keeping a half inch seam allowance on either side.

Press over this smaller edge onto the stay tape.

Fold the wider edge in half, then fold that over the stay tape, giving you a finished edge.

Fell this edge down the length of the tab.

Trim off 1⁄4 inch from both ends, and press the remaining allowance under. Place this on the coat, and fell down along both ends, starting 1⁄4 inch from the edge and working your way around to the opposite side. Just past the spot where the folded under edge stops, side stitch across the tab for extra strength.

---

Your Progress

There are just a few more steps until your coat is done! First, we’ll take a look at the bottom of the back skirt lining, which is still hanging free. The raw edge was cut a little longer than needed, in case of error during construction. Lay the coat out flat on the table, and carefully align everything so that it lays smoothly – particularly the back tails.

Lay a ruler across the back, and chalk a line from one end to the other, lining the ruler up with the bottom of the main skirt at each end.

Carefully cut the excess wool fabric off, but be sure not to cut the lining!

Fold the lining under, baste, and finish off with a slip stitch all the way around the unfinished edges.

At the center back, at the bottom, there is a folded edge of fabric that has been left raw. I like to use a buttonhole stitch and secure this so that it does not open up. The same thing goes with the front of the skirt, where you have that large facing. Securing that will make things just a little tidier.

Optional Skirt Finish

If you decided to leave the lining of your skirt hanging free at the bottom, ignore this section. If you prefer to close everything off, you’ll need to close the bottom. To begin, first smooth everything out, and baste a row of stitches about 1 inch from the bottom of the skirt, catching lining and wool. Go back, and now baste a row of running stitches at the bottom of the lining, only this time pushing the lining up away from the edge as you go. This will give the skirt some slack to avoid those awful pulls on so often seen on typical reproductions. Finish the bottom edge with a slip stitch.

---

Your Progress

Press the top edge of the sleeve lining over to the wrong side, using a 1⁄4 inch seam. Place shirring stitches along the top of the sleeve head. I only did one row, but feel free to do all three rows if you need more control.

Baste the bottom edge of the lining to the coat body, just covering the stitches holding the sleeve onto the coat.

When you get to the upper sleeve, gather the stitches as you did before, distributing the fullness. Baste in place. Because the lining cannot be shrunk away, you will naturally get a slightly messier looking lining. Try to smooth things out as best you can.

Fell down the sleeve lining to the body, using 10 to 12 stitches per inch. Congratulations, the sleeves are finally done, and we can move on to completing the coat!

---

Your Progress

Setting the sleeves can be tricky at first, but there are a couple of steps we can take to make things easier. Due to the amount of ease put in Devere’s sleeves, and the weight of the fabric used, it is difficult to ease in the fabric nicely without some help.

Begin by making three rows of shirring stitches across the inner edge of the sleeve head. These stitches are 1/8 in length, and the rows are 1/8 inch apart. You must keep the stitches aligned between each row for proper gathering. Three rows may seem excessive, but the third row helps lock the gathering in place, making things easier for you. The ends of the stitching should be left free with about 5 inches of extra thread on each end, to ensure it doesn’t slip through at the ends.

At the edge of the center back, mark an ‘X’ in the middle of the small strip near the armscye. Do the same to the back seam of the sleeve. Place these two together and hold them in place with your fingers.

Turn the coat to the inside, still holding these layers together. Make sure the edges of the armscye and sleeve head are even, and then baste the ‘X’s together with a couple of basting stitches.

Holding the layers together with your left hand, ensure that the edges are lined up, and baste down the bottom edge of the sleeve, using a 1⁄4 inch running stitch. You want to baste the bottom half of the sleeve first, so that you know how much to gather for the top sleeve.

Directly at the bottom of the armscye, gather in a very slight amount of sleeve as you baste, about 1⁄4 inch total.

Continue basting until you get to the other seam, where the shirring stitches begin.

Now pull each end of the shirring stitches, grasping all three threads at the same time, gathering the sleeve until it fits nicely into the coat. Distribute the fullness so that there are no large folds in the fabric. This step can be fiddly and take a while, but have patience and you will get it. It’s worth the extra time.

When you are happy with the distribution, baste across the top of the sleevehead, fine tuning the fullness as you go. When you reach the other side, where you began basting, stop for a moment, but don’t cut the thread. Turn the coat to the right side, and check the hang of the sleeve, and that the fullness is distributed nicely. Also check that the rear sleeve seam is centered on the little section of the back piece. This is the time to make any changes necessary.

When satisfied, go back to the inside, and baste around the armscye again, this time alternating your stitches with the previous stitches. This will lock the sleeve in place, while at the same time making the basting stitches easier to remove later

.

Place the top of the sleeve head onto a pressing surface so that the gathered section is visible, and gently shrink away the fullness from the gathering stitches. Press no more than 3⁄4 inch into the sleeve, or you’ll end up shrinking all of the fullness away, and your work will be for nothing.

After pressing you should have a fairly smooth sleevehead, with some fullness visible below the top edge.

Place the sleeve onto the sewing machine, with the coat inside out, and sew the sleeve on with a quarter inch seam allowance. This can be done with a backstitch if preferred, of course.

After sewing, remove all basting stitches from the sleeve area. Some of them may get caught in the stitching, but by picking at them carefully, they’ll all come out eventually. Turn the coat to the right side and check your work. The sleeve should be smooth on top, and slightly raised above the level of the shoulder.

---

Your Progress

We’ll now begin constructing and inserting the sleeve linings. These are cut from the same pattern as the sleeve, however some additional allowances need to be made on the seams. On the front and rear seams, add 1/8 of an inch to the seam allowance. At the very top at the sleevehead on both pieces, add 1 inch extra allowance. This is so the sleeve has room for movement, preventing the lining from tearing. It also prevents the lining from pulling on the outer sleeves, producing unsightly folds.

Construct the sleeve just as you did for the muslin sleeve. Make sure you add the inlay at the bottom cuff of the under sleeve as as you did for the wool sleeves. Press well. At the cuff end, trim off a half inch from the bottom, then turn under another half inch seam allowance. This will line the bottom of the lining up with the upper edge of the cuff facing, just covering the cross stitches.

Turn the wool sleeve inside out, and the sleeve lining right side out. Insert the sleeve lining onto the wool sleeve, wrong sides together, and baste the two together at the bottom of the center seam, just above the inlay area. This will help you align the rest of the sleeve sections together.

Make sure the lining is falling smoothly over the entire sleeve. You may pick up the sleeve and lining by the cuff and shake slightly to help distribute the fabric properly.

Starting at the center that you just basted, baste toward the side with the button catch. Baste from the bottom of the sleeve lining, up along the edge of the inlay, and along the top edge of the inlay, folding the fabric under neatly as you go. The lining should just cover the cross stitching by about 1⁄4 inch.

Now baste across the bottom edge, starting from the center again, toward the buttonhole side of the cuff.

Continue basting across the bottom until you get to the area where the buttonhole facing is. Trim the lining down if necessary, so that it is 1” away from the edge of the buttonhole inlay along the top and side.

Make a diagonal cut, about 1/2” wide, from the intersection of the cuts you just made. Make sure this diagonal cut does not extend too close to the edge of the facing underneath!

Now fold under this section of lining, exposing the buttonholes underneath, and baste down, stopping at the end of the cut you made.

The lining is now felled down with white cotton thread at this point, using 10 to 12 stitches per inch. Using the white thread will help hide the stitches, making them almost invisible. Begin sewing at the end of the cut lining, down to the bottom of the cuff, across the bottom, and up the sides and top of the inlay area. When sewing the section near the inlay, be careful not to let the stitches show through to the right side, as it is only one layer.

At this point, the sleeve vents are completely done, save attaching the buttons. Remove all basting stitches and turn the sleeve to the right side. Buttons can be added now, or after the sleeve has been set into the coat body.

Again, shake the sleeve gently to make sure the lining is laying correctly on the inside. Baste through the outer sleeve, catching the lining underneath to hold it in place.

---

Your Progress

On the under sleeve inlay, fold over 3/8” of fabric and baste in place. Press.

On the top sleeve, draw a chalk line continuing the seam line – not the inlay line – of the sleeve down to the bottom of the cuff inlay. Draw another line horizontally, continuing the angle of the bottom of the sleeve inlay.

Optionally, cut out this square of fabric, about 1/8” from the lines you just drew. If using heavy, dense fabric, this will make the sleeve miter a little easier. The downside is, you will not be able to lengthen the sleeve ever again. If you wish for this possibility to remain, leave the fabric uncut. Another benefit of not cutting this fabric out is that it lends a bit of weight to the cuff, allowing it to flair out stylishly. My fabric was dense enough that cutting the piece out did not affect this.

Fold the fabric corners up, forming two small triangles, and baste in place. This should form a straight line along the folded edge. Baste and press.

Now turn up the bottom of the cuff along the inlay line, and the remaining inlay for the buttonholes, baste in place, and press. Cross stitch the raw edges of the inlays to the pocketing underneath, being sure not to catch the wool underneath. You may have to fiddle with the mitered corner a bit to get it looking just right.

Along the button catch side, on the under sleeve, fell the folded edge of the cuff to itself, closing up the opening.

At the mitered corner, ladder stitch the seam to the pocketing, in the same manner that you closed the gorge line on the collar.

Here is the result of the completed cuff.

Work two buttonholes on the top sleeve, just above the mitered corner. These are usually smaller than the front buttonholes, and spaced about 3/8” away from the edge. The number and exact position will depend on the coat you are copying. Completing the buttonholes now makes the job much easier than if you wait until the sleeve has been closed.

Line up the rear seams of each sleeve, right sides together. Because we did not add seam allowances, the top sleeve will be a little longer than necessary. This excess is eased in along the top of the seam, from the sleeve head, to about 5 inches below that. Shrink away the fullness with the iron, being careful not to extend the iron more than an inch onto the fabric. Sew from the top of the seam, to just 1⁄4 inch beyond the edge of the sleeve inlay, as shown. You may have to remove a couple of cross stitches to gain access to the area. Press well, using a sleeve roll or tailors ham inserted into the sleeve. This is sometimes tricky to press correctly due to the nature of the curved sleeves. At the bottom of the seam, press the button catch and seam allowance over to one side.

With the sleeve inside out, baste the button catch to the button hole catch, making sure everything lines up properly. Along the top of the inlay, back stitch with silk thread, catching every layer but the outer layer of fabric. This secures the top of the sleeve vent to prevent tearing, and the fact that we did not clip any seam allowances adds strength as well.

---

Your Progress

Begin by basting the under sleeve to the top sleeve along the shallower front seam. Sew the seam with a 1⁄4 inch seam allowance, remove basting stitches, and press.

Cut a strip of pocketing or polished cotton on the bias, about 5 inches wide, and long enough to cover the bottom of the sleeve. Stretch this into a curve along one edge in order to approximately copy the curve of the cuffs.

Place the pocketing along the wrong side of the sleeves, just above the cuff inlay. Baste along the bottom edge.

Baste the pocketing upwards from the cuff, catching the seam underneath.

Baste along the top edge, starting at the center seam and working your way out. Smooth any excess that may appear as you go.

Along the center seam, using silk thread, carefully baste the pocketing to the seam permanently.

On the top sleeve side, fold back the pocketing, creasing just over 1/4” away from the inlay. Trim off the excess along this crease line.

On the under sleeve side, trim off 3/8” of pocketing along the button catch inlay.

Here are the results so far. This pocketing will provide stability for the buttons, buttonholes, and also the sleeve as a whole.

---

Your Progress

The first step in completing the collar is to sew down the gorge line. If you look, you’ll notice a junction of three separate seams, from the lapel, collar, and gorge line. Begin by knotting your thread and securing it at this point, in between the layers.

Note how there are two folded edges facing each other. The object is to sew these together without any thread showing. To do this, take a small stitch through one side of the gorge line, then another on the opposite side, forming a ladder-like stitch. Every 4 or 5 stitches, take a stitch directly into the canvas below, to further hold things in place. Continue in this manner until you reach the point where you trimmed the coat forepart at the roll line area.

From this point, begin felling the rest of the collar down until you get to the edge of the facing. Repeat the process for the other side of the collar and gorge line.

Now flip the collar over so that you can see the underside. Fell from the intersection at the gorge line and lapel all the way around the edge of the collar, in the same manner that you felled down the facing.

At that intersection, the area can sometimes be weaker than the rest of the coat. It’s a good idea to put in a bar tack for some extra strength. Take about 5 stitches in places, being careful not to let them show on the right side. Then wrap the thread around these stitches, forming a bar tack.

Completing the Lining

Fold and baste the lining across the top of the back neck and facing areas. Make sure they cover the slashes and permanent basting stitches. When satisfied with the appearance, carefully fell the lining down across the shoulder seam, neck line, and shoulder seam.

---

Your Progress

It’s now time to further baste down the lining, in preparation for the final stitching. Like the canvas, the lining has likely loosened from work on the collar.

Along the neck edge, baste the lining in place, smoothing with your fingers underneath.

Do the same along the center of the shoulder.

Complete the initial basting by basting along the armscye up to the shoulder.

Turn to the inside. Baste the back lining along the shoulder seam, about one inch from the edge. The back lining should overlap the front lining and facing.

Carefully fold over the raw edge of the back lining, and baste it in place. Begin the basting at the edge of the facing. The facing area needs to remain free until after we put in the top collar.

Here is how the coat should look after the work so far.

---

Your Progress