Author: James Williams

Creating a Muslin Toile

Before moving on to stylizing your pattern, it’s a good idea to get most of the fitting out of the way while the pattern is less complicated. To do that, we’ll construct a muslin vest, using inexpensive fabric to check for fitting errors.

To begin, copy the front and back of your draft onto a fresh piece of paper, so that the original draft can be preserved. After you’ve copied them, seam allowances need to be added. Through a lot of research and experimentation, I’ve come to the conclusion that Devere’s draft needs 1/4″ seam allowances needed along every edge, except the armscye and shoulder seam. And while I personally do not add seam allowances to the shoulder seam, for this beginner course, we will add the 1/4″ there as well, in order to make the construction a little easier. Feel free to leave it off if you wish, though.

Here is a diagram of the pattern pieces after the seam allowances have been added. I use a small ruler to mark out the 1/4″ all the way around. Also be sure to mark out the chest line, to help you align the patterns on the fabric.

Here is my pattern after tracing to a fresh sheet of paper and adding the seam allowances.

Cut out both pattern pieces along the seam lines you just drew, being as neat as possible. Lay the pieces on your doubled layers of muslin fabric, and carefully trace around each piece using sharp chalk or a pencil. Place something on the pattern to hold it in place while you trace. Make sure that the horizontal construction chest line on the pattern is perpendicular to the edge of the fabric to get a good grain alignment.

Cut out the pieces, cutting on the inside of the line to ensure a more accurate fit.

Ironwork

As this pattern is for a generic vest, and we have not yet decided on which fabric to use, we will assume it will be a wool vest for now. To get a good period fit, the shoulder area of the vest fronts were shaped with the iron. As this is a very lightweight muslin fabric, it’s possible to just do this using your hands. Holding the armscye in one hand at the fullest part, at the bottom of the X’s, use your other hand to stretch the material. It’s better to have a lighter touch and make more passes over the length of the armscye.

If you did not add seam allowances to the shoulder area, stretch across the top of the shoulder as well.

With right sides together, lay the forepart and back together, aligning the side seam, and pin at the ends. It’s likely that the forepart will be slightly longer, so place a pin in the middle, dividing the fullness in half, and repeat with another pin between, for a total of 5 pins. Sew the seam using a 1/4″ seam allowance.

Pin the ends of the shoulder seams, right sides together, and subdivide further with more pins. If you left the seam allowance in, there will be a fair amount of fullness to work in on the back. If not, the two seams will match pretty closely in length.

Sew, using a 1/4″ seam allowance. Press open all of the seams with your thumbnail.

Sew the two halves together along the back, right sides together. This completes your vest muslin, which you can go try on and begin to work on any fitting issues you may have. Please post in the forums with photos of your draft, and wearing the muslin, and I’ll help you as best I can through the fitting process.

Drafting the Back

Let us now proceed with drafting the back of the waistcoat. I’d recommend doing this on the same sheet of paper as the front, and align the point A on both front and back, so you can be sure that things are properly lined up while drafting.

A – B

Draw a long straight line, and mark on it the length of Curve to measure.

B – C

Length of Side to measure.

A – D

3 1/2 graduated inches

A – E

Draw a line square across from A to E, which is 2 1/2 graduated inches.

At E, square up 3/8 graduated inches for the rise of the neck.

D – F

Square across from D to F, at 7 1/4 graduated inches.

C – G

Square across from C to G, at 10 5/8 graduated inches.

B – H

Square across from B to H, making this length equal to half the waist plus 1 1/2 graduated inches. This extra is added to give extra movement in the back, and is taken up by the strap and buckle during use.

Back Neck Curve

Using a French curve or free hand, draw a curve for the back neck from A to E as shown.

Shoulder Seam Hollowing

Draw a straight line from E to F. Find the center of this line, and draw a 1/4″ line square towards the back at this point. Then draw a curve connecting all three points as shown.

Armscye

Draw a line square down from point F. This is just a construction line to aid in drawing the armscye.

Draw a line from point G to F. Find the middle, and draw a line square at 1 1/2 graduated inches in length. Draw a curve connecting the three points. This curve should align with the construction line you drew previously down from F.

Waist Hollowing

About 2 inches above the waist line, hollow in 1/4″ for the hollow of the waist, and draw a line connecting G, H, and that point. This completes the draft of the waistcoat back.


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Drafting the Front

Now we’ll begin the drafting process. I like to draft on ‘project paper’, found at most office supply stores. A quilters’ ruler, french curve, and a sharp pencil will help get you started.

If following the instructions below, use a normal ruler or your actual measure when the instructions say ‘to measure’. If graduated inches are specified, use the graduated ruler corresponding to your Breast measurement.

If you prefer to use the spreadsheet, just use the numbers that are calculated for you, and use the drawings here as a guide.

A – B

Draw a long straight line, and mark on it the length of Bust to measure.

B – C

Measure up from B to point C, 2 1/2 graduated inches. This marks the bottom of the side seam.

C – D

Length of Side to measure.

A – E

Mark point E at 2 graduated inches from point A.

A – F

A to F is 4 3/4 graduated inches.

F – G

F to G is halfway between F and D, or 7 1/2 graduated inches from point A.

A – H

Square across from point A to point H, which is a total of 5 3/4 graduated inches. This gives us the shoulder point.

D – I

Square across D – I, at 10 5/8 graduated inches. This gives the width of the chest.

F – J

Square out from F to J at 10 graduated inches. This gives us the position of the neck point.

G – K

Square out from G to K, at 2 3/4 graduated inches. This gives us the width of the armscye.

C – L

Square from C to L at 1 1/2 graduated inches.

L – M

Now we must find the center front of the waist. To do this, first draw an unmeasured line squared out from point B. The line just needs to be long enough for the next step.

Then measuring from point L, using 1/4″ of your full waist measurement, locate point M where the measurement intersects with the previous construction line.

The Curves

The Neck

Draw a line connecting points H and L. At one third of the way from point H, make a mark.

Square out from that mark 1 graduated inch. Connect the three points in a graceful curve as shown, giving us the line for the neck.

The Shoulder

Make a construction line from point H to E. At the midpoint, square out a line 1/4 graduated inches, and draw the curve as shown.

The Armscye

Draw a line from point E to K, and find the midpoint. Square in 3/8 graduated inches.

Do the same for the bottom of the scye, connecting point K to D. Square out from the midpoint 7/8 graduated inches.

Connect points E, K, and D in a graceful curve.

Side Seam

For the side seam, draw a straight construction line from point D to L. Then draw a slightly curved line as shown, hollowing 1/4 graduated inches a little above point L.

The Center Front

Draw to construction lines from point J to I to M. Then add a slight curve to the center front, using the construction lines as a guide.

The Waist

This is optional, but you can give additional shape to the waist as shown. If you can make the bottom front at point M be closer to a right angle, it’ll look a lot better in front rather than having a pointed look.


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Devere’s Drafting Formula

One of the more difficult concepts to understand is how Devere varied the size of a pattern. He used a size 18 3/4 breast as the basis for all of his patterns, which is equivalent to a 37 1/2 chest. This is called the proportionate model. If you are lucky enough to have a 37 1/2 chest (and the other corresponding measurements are the same), you can draft the patterns as they are straight from the book, with a normal ruler . Unfortunately, very few people fit these measurements, so adjustments have to be made.

Let us suppose we have a gentleman with a 42 inch chest, and want to find the correct balance for a coat. On a 37 1/2 inch proportionate model, the balance is 2 1/2. But a 42 inch chest would make that larger. First, you need to find the correct ratio between the 42 inch chest, and the proportionate chest. That would look like this:

42 / 37.5 = 1.12

After getting the number of 1.12, we multiply that by the balance measurement (or whatever measurement we need to get):

1.12 * 2.5 = 2.8

Then, it’s a matter of converting that 2.8 decimal into inches. This comes out to somewhere between 2 3/4 and 2 7/8. As you can see, this method is not very accurate, and prone to mathematical errors. And it takes a long time when you have to do 20 or 30 measurements this way.

Luckily, Devere was a fairly smart guy. He devised a set of rulers, called Graduated Rulers. The graduated rulers are, “a series of measures, which are successively graduated larger and smaller than the common inch measure, and are used to draft patterns for larger or smaller sizes than the 18 3/4 breast.” What does this mean? Instead of doing those calculations above, you simply choose a correct sized ruler and then draft the pattern as it is in the book.

When drafting trousers, the ruler size is taken from your seat measurement, rather than the chest.

Devere’s Graduated Rulers

For example, you are measuring someone and they have a 48 inch chest. You would then go to your set of rulers and choose the one marked size 48 (or 24 inch breast). If you compared this to a normal inch ruler, you would see that it is a lot larger, yet it still has 12 inches to it.

Where can you get these rulers? In Devere’s time, these rulers could be obtained from Devere’s company, and came on paper, tapes, or on wooden rulers. Devere has long gone out of business, but luckily, the rulers are not too difficult to make yourself. I’ll save you that trouble though.

I have created a set of graduated rulers, sized 34 through 50, for your convenience. They are on 11 x 17 inch paper, so you’ll need to find a print shop to print these. They can usually be printed for a few dollars on nice card stock at stores with print shops such as Staples. They are in Adobe pdf format. When printing from Adobe Acrobat Reader or other readers, be absolutely sure to set Page Scaling to None. If this is not done, your whole set of rulers will be off. After they are printed, I would take a normal inch ruler and compare it to the size 37 1/2 graduated ruler. They should be exactly the same. If they are off, it was printed incorrectly, and you’ll need to check your settings and try again.


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Waistcoat Measurements

This is an introductory course on drafting and constructing a period waistcoat circa 1860 – 1865. As it is intended as for the beginner, I’m leaving out a lot of the more technical information, which can be found in my frock coat drafting class.

Before we can begin drafting our waistcoat pattern, it is necessary to take a few measurements to ensure a good period fit. While a few of the measurements will seem familiar to you, Devere uses some special measurements based on the ‘center point’, which forms the basis for the entire system. Just take things step by step, feel free to ask questions in the forums, and I know you will get it.

To start off, here is an overview of all of the measurements Devere suggests, although the Front Opening measurement is not illustrated. Try to get someone to measure you. While it is possible to measure yourself (I do it all the time), it takes practice and skill, and it’s very difficult if you’ve never used these measurements before.

As you go, write down each measurement in the spreadsheet provided. You can either draft using the measurements that are filled out for you in the spreadsheet, or use the instructions found on the website, which use the graduated measure. You can download both below.

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All measurements should be taken over a well-fitted waistcoat, if possible. If you don’t have one, a period shirt will do.

Breast

This measurement determines the size of the graduated measure you should use. Hold the tape around the chest as shown, as high as possible under the arms, and over the fullest part of the chest, holding the tape with the thumb and forefinger of each hand. Draw the tape very tight, and loosen it gently as the client breathes, for the best accuracy. Write this measurement down as half in the chart, i.e. if you have a 48  inch chest, write down 24 in the spreadsheet, since we only draft half of the waistcoat.Waist

This measure it goes around the body on a level with the hollow above the hips, and it should be taken rather easy. Like the breast measure, it is only written down as half the length taken; say 15 ¾ for 31 ½ inches.

This measure, by comparison with the breast, shows if the waist is thin or stout. In the proportionate man it is 15 ¾ or 3 less than the breast.

Waist

This measure is also taken under the coat: it goes round the body on a level with the hollow above the hips, see figure blank, and it should be taken rather easy. Like the breast measure, it is only written down as half the length taken; say 15 ¾ for 31 ½ inches.

This measure, by comparison with the breast, shows if the waist is thin or stout. In the proportionate man it is 15 ¾ or 3 less than the breast.

Finding the Centre Point

The center point forms the basis of finding the next two measurements, and lays out the position of the side seam. Unless you know you have a very accurate waistcoat (which you could use the side seam as the center point), it’s best to manually find the center point.

To find the centre point, we must use the formula of taking 2/5 of the Breast or 1/5 of the full chest and using that number to find the centre point. For example, a 35 inch chest measured all the way around would be 7 inches to the centre point. So find the center of the back at the waist level and measure 7 inches around to find the Centre Point. Or just fill out the spreadsheet and find the center point position that way.

Mark this center point on the client being measured using some chalk in the form of a cross hair +.

Curve

Take the Bust and Curve part of the Tape, slip the eyelet-hole at the end of it over the head of the pin, and hold it there; the eyelet-hole must be exactly at the top of the back seam: then with the other hand carry the tape perfectly straight to the Centre Point, crossing the side seam near the middle, and not letting the tape be either very tight or too slack.

Bust

Continue to hold the end of the tape at the top of back seam, and with the other hand pass the tape over the shoulder in front of the arm, close to the front of the scye, letting the clients arm hang down in its natural position; draw the tape very tight, to flatten any creases there may be at the front of arm, and carry it direct to the Centre Point.

Side

Pass a pencil or penholder through the loop at the end of tape, and hold it tight under the arm (the arm must not be raised up, but should lay close to the body). Then measure the length to the Centre Point, so as to ascertain exactly, the distance between this point and the bottom of scye.

This measure serves to rule the depth of the bottom of scye, and shows the degree in which it must be hollowed out below the side point. In proportionate men it is 8 ½, and is usuallyabout half the length of back to natural waist. It is longer for extra erect men, and for small or high shoulders; and less for stooping men, and for large or low shoulders.

Opening

This is also known as the length of neck seam, and begins at the middle of the back neck and ends at the top of the desired opening in the front, being sure not to measure too tightly or loosely. This is a good measurement to use if you are copying a known vest or style and want the opening at a certain position.

Front Length

The Front Length is measured from the center of the back neck to the bottom of the front, and gives us a reliable way of checking that the length of the vest is correct.


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Devere’s Drafting Formula

One of the more difficult concepts to understand is how Devere varied the size of a pattern. He used a size 18 3/4 breast as the basis for all of his patterns, which is equivalent to a 37 1/2 chest. This is called the proportionate model. If you are lucky enough to have a 37 1/2 chest (and the other corresponding measurements are the same), you can draft the patterns as they are straight from the book, with a normal ruler . Unfortunately, very few people fit these measurements, so adjustments have to be made.

Let us suppose we have a gentleman with a 42 inch chest, and want to find the correct balance for a coat. On a 37 1/2 inch proportionate model, the balance is 2 1/2. But a 42 inch chest would make that larger. First, you need to find the correct ratio between the 42 inch chest, and the proportionate chest. That would look like this:

42 / 37.5 = 1.12

After getting the number of 1.12, we multiply that by the balance measurement (or whatever measurement we need to get):

1.12 * 2.5 = 2.8

Then, it’s a matter of converting that 2.8 decimal into inches. This comes out to somewhere between 2 3/4 and 2 7/8. As you can see, this method is not very accurate, and prone to mathematical errors. And it takes a long time when you have to do 20 or 30 measurements this way.

Luckily, Devere was a fairly smart guy. He devised a set of rulers, called Graduated Rulers. The graduated rulers are, “a series of measures, which are successively graduated larger and smaller than the common inch measure, and are used to draft patterns for larger or smaller sizes than the 18 3/4 breast.” What does this mean? Instead of doing those calculations above, you simply choose a correct sized ruler and then draft the pattern as it is in the book.

When drafting trousers, the ruler size is taken from your seat measurement, rather than the chest.

Devere’s Graduated Rulers

For example, you are measuring someone and they have a 48 inch chest. You would then go to your set of rulers and choose the one marked size 48 (or 24 inch breast). If you compared this to a normal inch ruler, you would see that it is a lot larger, yet it still has 12 inches to it.

Where can you get these rulers? In Devere’s time, these rulers could be obtained from Devere’s company, and came on paper, tapes, or on wooden rulers. Devere has long gone out of business, but luckily, the rulers are not too difficult to make yourself. I’ll save you that trouble though.

I have created a set of graduated rulers, sized 34 through 50, for your convenience. They are on 11 x 17 inch paper, so you’ll need to find a print shop to print these. They can usually be printed for a few dollars on nice card stock at stores with print shops such as Staples. They are in Adobe pdf format. When printing from Adobe Acrobat Reader or other readers, be absolutely sure to set Page Scaling to None. If this is not done, your whole set of rulers will be off. After they are printed, I would take a normal inch ruler and compare it to the size 37 1/2 graduated ruler. They should be exactly the same. If they are off, it was printed incorrectly, and you’ll need to check your settings and try again.


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Trousers Measurements

You may be used to picking out your new pair of pants using just two measurements – your waist and inseam. Sadly, today’s ready made clothing does not usually fit as it should.

In the 19th century, and in fine bespoke tailoring to this day, several other measurements are used as well. You will see how they combine to make you a perfectly fitted pair of trousers. Do not try to take your own measurements. Instead, find an experienced tailor or seamstress (or your wife) to take accurate measurements for you.

In order to take the  measurements, you must first learn to take measurements with care and accuracy. Begin by finding out what your client’s wishes are before taking any measurements. The style and cut depend upon what the trousers will be used for. Do you wish to have a tight fitting waist, or suspenders? Will you be mostly sitting or standing in the trousers, or perhaps riding? Are the trousers to be loose as in the ‘peg-top’ style of the 1860s, or the much more fitted look of the 1840s? Breeches or full length? As you can see, there is a lot to consider.

After the style is determined, make sure the client is standing in a relaxed position, neither too erect nor too slouched. People are often inclined to stand stiffly, and this can interfere with the measurements and how the trousers will fit later. Try telling a polite joke, or amusing story to get the client to relax, then proceed to take the measurements.

Devere had a series of five principal measurements taken for trousers, plus three more ‘supplemental’ measures used for variation in fashion. Of the first five, all are still in use today except for the front measure. Take your measurements using a normal inch tape, using great care to ensure accuracy. Take each measurement deliberately, and without hurry. It can be helpful to take a measurement twice to double check your work.

Before taking the measurements, be sure that the trousers the client is wearing are at the proper height at the waist. Ideally they will be wearing period trousers of correct fit. But If they are too high or low, the measure must be taken from the level of the waist, and not from the top of trousers. The waist of a pair of trousers should pass horizontally around the body, at the level of the natural waist. A trick to remembering where the level of the waist lies, is to tie a cord around the waist. Take all measurements from that cord.

Following are the measurements and period descriptions of how to take them. Write each measurement in the space provided on the measurement chart included with this book.

Principal Series

1) Side Seam

Or length of side measured from the top to the bottom of the trousers, starting from the top of the side seam at the hollowest part of the waist, and not including the waistband. This measure should be taken tightly, and it is the leg itself, not the trousers, which is to be measured.

When taking the first three measures, it is easiest to measure to the heel of the shoe, so as to be consistent. Then make a deduction based upon how you want the trousers to break. Some like the trouser legs to reach exactly to the foot, while others like to have a break or even folds at the ankle.

2) Front Length

Measured from the top of front, not including the waistband, to the bottom of the inner leg seam. In thin waists, the measure will generally be less than the length of side seam; it will be longer for stout men on account of the protuberance of the stomach, and by the difference it presents with measure of Side, it indicates the proper degree of slope to be given to the front of the waist. To take it correctly, the leg should be a trifle advanced as shown on fig. 1, and for very stout men, the measure should be kept close to the leg of trousers, just below the fork.

3) Leg Seam

Taken in the usual way and with the greatest possible accuracy, as upon this depends the correctness of the length of the trousers. To take this measure, hold the tape close up in the fork of the trousers, letting the tape fall naturally to the foot at the bottom of leg seam. We may observe that when using the looped tape, it should not be pushed up too tight, or the leg seam measure would become too long, and the trousers would be too long in the legs.

4) Waist

Measured in the usual way, underneath the waistcoat and rather tight; it will, for these reasons, be about 1 inch less than the waist measure taken for a coat.

5) Seat or Hips

This is the size round the seat at the most prominent part, just over the hip joint. This measure often gives the same figures as the breast measure of the man, but is more frequently a little larger, and like that measure serves to indicate the graduated measure to be used when forming the draft for the trousers.

Supplementary Series.

These measurements are more for fashion than fit. I advise taking the Bottom measure, and proportioning the thigh and knee into a pleasing line according to the customers wishes.

6) Thigh

Taken as high up as possible. This measure indicates the allowances for fashion or the particular style required. In general, it is the left or dress side with is measured.

7) Knee

Taken according to fashion: when it is for tight fitting trousers the knee bust be bent.

8) Bottom

Also according to fashion, or the style required.

After all measurements are taken, you need to look at the client for disproportions. Are they stooped or erect? Thin or corpulent? Measurements can only tell us so much about a person. One must develop and train the eye in order to apply this information to a draft.


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Muslin Toile for Fitting

Now that you’ve got a pattern drafted for your trousers, it’s time to cut and sew up a pair in cotton muslin for fitting purposes. By using the relatively cheap muslin, you can experiment more with the fitting without ruining your expensive cloth. Making this test pair also gives you the general sense and order of construction, and that familiarity will make constructing your final trousers a little easier.

Begin by laying out your pattern pieces on your muslin, ensuring that the plumb line is parallel to the edge of the fabric. Rather than using pins, which tend to distort the fabric, I prefer to weigh down my patterns with whatever I have laying around, such as rulers, scissors, or books.

Next, using a piece of tailor’s chalk, trace around all of your pattern pieces. Try to keep your chalk sharpened in order to leave a crisp, accurate line.

Here’s the trouser back after drawing it out. Note I also marked the position of the knee line to make sewing more accurate later on.

Cut out each piece after you’re done drawing them out. If you have wider fabric, you may be able to get them spaced more closely than I have.

To keep track of which side is what, I like to mark an X on the wrong side of every piece as soon as I’ve cut it out.

Ensure you have the following pieces cut out before continuing:

  • 2 Fronts
  • 2 Backs
  • 2 Waistbands
  • 1 Fly

Construction

Construction begins by laying the fly in position on top of the right trouser front. I’d say as shown, but if you look carefully at the photo you’ll see I’ve accidentally put mine on the left.

You should also transfer the mark at the bottom of the fly. I like to mark with an X for more precision. All sewing will stop at this mark.

Pin the fly to the trouser front. This is about the only time I use pins in my sewing, as I find them to be inaccurate. But for this mockup, they work well.

Sew the seam from the top edge down to the mark at the bottom of the fly using a 1/4″ seam allowance.

Press open the fly seam.

Side Seam

Lay the back piece on top of the front along the side seam. Line up the bottoms and the knee marks and pin that section.

Moving to the top of the side seam, pin the very top. You’ll notice there is some extra fullness in the back piece — it’s slightly longer than the front side seam.

Distribute the fullness by using the ‘divide and conquer’ method of pinning. Place your first pin in the middle between the top of the side seam and the knee mark, distributing the fullness equally on each side.

The continue subdividing the sections until you have a small amount of fullness between each pin. Feel free to use more pins than I have.

Place the two pieces on the sewing machine, back side down, and sew the side seam with a 1/4 seam allowance. The feed dog along the fuller bottom edge will help distribute the fullness more evenly.

Press the side seam open. Here’s what you should have so far (repeat for the other side as well).

Waistband

I like to attach the waistband now while the trouser legs are still flat, before sewing up the inseam.

Pin the waist band to each trouser leg, right sides together.

Around the top of the side seam, I often need a few extra pins to get everything to lay nicely.

Trim the ends of the waistbands. There should be a couple of inches at either end for constructing the final trousers, but we don’t need that excess for the muslin version.

Sew the waistband with a 1/4″ seam allowance. Rather than pressing the seam open, press just the waistband upwards, which will both hide the waistband seam later on, as well as give a bit of extra strength to the waistband.

Inseam

Next, we’ll sew the inseams together forming a tube. With right sides together, pin from the cuff to the knee line.

Then pin the top of the inseam together to keep things in place. You’ll notice there should be a lot more fullness to ease in here on the back piece.

Pin out the fullness evenly using the same method as for the side seam.

Sew and press open the seam. You should have two opposite legs in the form of tubes at this point.

Seat Seam

This next step can be a little confusing at first, so take things slowly and don’t be afraid to undo your pinning and try again.

Take the right leg assembly and turn it right side out.

Insert the right leg into the left leg, which should still be inside out.

Find the inseams of both legs, align and pin them together. Then find the bottom of the fly (that X you marked) and pin those together as well.

Pin the top of the seat seam together, followed by the rest of the seat seam, keeping everything neatly aligned.

Sew the seat seam, beginning about 2″ from the bottom of the waistband, continuing through the inseam area and ending as precisely as you can at the mark on the fly. Hold the seam allowance of the fly out of the way as you sew that area.

If you’ve pinned everything in the right order it should be very easy to sew the seat seam. If not, you may have to sew in the other direction or from the other side.

At this point, turn the trousers right side out and press the seat seam. You should have a pair of finished trousers ready to try on to check for any fitting issues.

Here’s how mine turned out. I’m fairly happy with them, though I ended up narrowing the cuffs a little, and will hem them later.

I’m happy with the side views. Note the way the trousers come up quite high in the front, making me appear . . . slimmer.

And finally, from the back. There are a few wrinkles across the seat, which could be a symptom of an incorrect seat angle or other error, but I’m thinking it’s actually due to pulling the trousers up too high in the back. I’m going to see how it looks in the wool before I make any alteration. It may not be possible at that point but I’m willing to take the chance.

In the video you can get more of a feel for how everything fits.

If you’d like some help with the fitting process, post a photo of your draft, and then of your self from the front, side, and rear in the Facebook group, or you can feel free to email me at james@historical-tailoring.com


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Trouser Hem Length and Width

One of the most common alterations, it is very simple to adjust the length and width of the hem. Just be sure to leave about 1″ extra at the bottom for finishing the hem later on.

For the length, just add or subtract the amount necessary and redraw the appropriate lines. You’ll want to adjust the side seam and inseam to account for the new length.

Adjusting the width is easy as well. Leave the inseam as it is, and measuring from the plumb line, mark the new width of the trouser hem, redrawing the side seam as necessary.


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Trouser Darts

If you have a particularly thin waist compared to your seat measurement, you might want to add a dart to the back waist pattern. Sometimes, the difference between the waist and seat measurements are too great, and without a dart, you’ll get an ugly ballooning effect in the final trousers.

Here is an example on the pattern showing what I mean. In this diagram, the red line indicates what the pattern might look like if you have a thinner waist. This however produces quite a curve along the hips and side seam, which will show in the final product. Instead, it is better to draw the side seam at more of a proportional size, and take out the additional width with a dart.

To start, figure out how much extra material you added to get more of a proportional looking side seam and waist width. This can be done by eye or more scientifically with the graduated rulers and such. Post your pattern in the Facebook group and I can help you out individually.

If the additional width is up to 1″, use one dart of that width. If it’s over an inch, I recommend making two darts of the same size, the sum of which equals the total addition.

The deepest part of the curve in the back waist is usually the best location for the dart, or the fullest part of your seat. At this point, square down (it’s curved so rely on your rock of eye to get as close to square as possible), and draw a line about 4 or 5 inches in length. This will be the length of the dart.

Next, at the top of the line, mark the width of the dart, equidistant on both sides of the line. In this example I’m using a 1″ dart, so 1/2″ on each side.

Finally, draw lines connecting those two points to the bottom of the original line. These lines indicate the actual sewing line of the dart.

Here’s what your pattern might look like if you needed two darts. On occasion, when making trousers for women, I’ve even had to add slightly smaller darts to the front waist to get a proper fit.

Here’s a dart drafted out on my pattern. It’s probably best to draw this first on your original draft and transfer to the pattern so that you’ll have it for future pattern alterations.

Finally, cut out the dart along the outer lines, which indicate the seam line as well. Note that while the pattern is cut out, the dart is not cut out from the fabric itself, but rather merely marked with chalk.

Here’s a quick video of how I draft the trouser darts.


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